Tag Archives: Art

“Devastating desire” by C.S. Lewis

“I feel strongly, with you, that there was something more than a physical pleasure in those youthful activities. Even now, at my age, do we often have a purely physical pleasure?

Well, perhaps, a few of the more hopelessly prosaic ones: say, scratching or getting one’s shoes off when one’s feet are tired.

I’m sure my meals are not a purely physical pleasure. All the associations of every other time one has had the same food (every rasher of bacon is now 56 years thick with me) come in: and with the things like Bread, Wine, Honey, Apples, there are all the echoes of myth, fairy-tale, poetry, and Scripture.

So that the physical pleasure is also imaginative and even spiritual. Every meal can be a kind of lower sacrament.

‘Devastating gratitude’ is a good phrase: but my own experience is rather ‘devastating desire’– desire for that-of-which-the-present-joy-is-a-Reminder.

All my life nature and art have been reminding me of something I’ve never seen: saying ‘Look! What does this– and this– remind you of?’

I am so glad that you find (as I do too) that life, far from getting dull and empty as one grows older, opens out. It is like being in a house where one keeps on discovering new rooms.”

–C.S. Lewis, “To Mary Van Deusen” (March 3, 1955) in The Collected Letters of C.S. Lewis: Narnia, Cambridge, and Joy 1950-1963, Volume 3 (Ed. Walter Hooper; New York: HarperCollins, 2007), 583-584.

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“I grew up a word-haunted boy” by Pat Conroy

“I grew up a word-haunted boy. I felt words inside me and stored them wondrous as pearls. I mouthed them and fingered them and rolled them around my tongue.

My mother filled my bedtime hour with poetry that rang like Sanctus bells as she praised the ineffable loveliness of the English language with her Georgia-scented voice. I found that hive of words beautiful beyond all conveyance.

They clung to me and blistered my skin and made me happy to be alive in the land of crape myrtle, spot-tailed bass, and eastern diamondbacks. The precise naming of things served as my entryway into art.

The whole world could be sounded out. I could arrange each day into a tear sheet of music composed of words as pretty as flutes or the tail feathers of peacocks.

From my earliest memories, I felt impelled to form a unique relationship with the English language. I used words to fashion a world that made sense to me.”

–Pat Conroy, My Reading Life, (New York: Doubleday, 2010), 84.

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“A finite picture of the infinite” by N.D. Wilson

“What is the world? What is it for? It is art. It is the best of all possible art, a finite picture of the infinite. Assess it like prose, like poetry, like architecture, sculpture, painting, dance, delta blues, opera, tragedy, comedy, romance, epic.

Assess it like you would a Fabergé egg, like a gunfight, like a musical, like a snowflake, like a death, a birth, a triumph, a love story, a tornado, a smile, a heartbreak, a sweater, a hunger pain, a desire, a fulfillment, a desert, a dessert, an ocean, a leap, a quest, a fall, a climb, a tree, a waterfall, a song, a race, a frog, a play, a marriage, a consummation, a thirst quenched.

Assess it like that. And when you’re done, find an ant and have him assess the cathedrals of Europe. This painting is by an infinite Artist. It is a reflection of Himself (could there be a better subject?), worked out in colors, lives, and constellations, in a universe that to us seems endless but is to Him a mere frame, a small space, a confining challenge for His artistry.

The temporal narrative of reality is every Art– invented and collected and woven into one cosmic, finite portrait of the infinite.”

–N.D. Wilson, Notes From the Tilt-A-Whirl (Nashville: Thomas Nelson, 2009), 83.

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“The Incredulity of Saint Thomas” by Caravaggio

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The Incredulity of Saint Thomas by Michelangelo Merisi da Caravaggio (1601-1602)
Oil on canvas. Sanssouci of Potsdam, Germany.

Now Thomas, one of the Twelve, called the Twin, was not with them when Jesus came. So the other disciples told him, “We have seen the Lord.”But he said to them, “Unless I see in his hands the mark of the nails, and place my finger into the mark of the nails, and place my hand into his side, I will never believe.”

Eight days later, his disciples were inside again, and Thomas was with them. Although the doors were locked, Jesus came and stood among them and said, “Peace be with you.” Then he said to Thomas, “Put your finger here, and see my hands; and put out your hand, and place it in my side. Do not disbelieve, but believe.”

Thomas answered him, “My Lord and my God!” Jesus said to him, “Have you believed because you have seen me? Blessed are those who have not seen and yet have believed.”

The Gospel According to John, chapter 20, verses 24-29, ESV

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“Remember your fairy tales” by C.S. Lewis

“The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things– the beauty, the memory of our own past– are good images of what we really desire; but if they are mistaken for the thing itself, they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.

Do you think I am trying to weave a spell? Perhaps I am; but remember your fairy tales. Spells are used for breaking enchantments as well as for inducing them. And you and I have need of the strongest spell that can be found to wake us from the evil enchantment of worldliness which has laid upon us for nearly a hundred years.”

–C.S. Lewis, “The Weight of Glory,” in The Weight of Glory and Other Addresses (New York: Harper Collins, 1949/2001), 30-31.

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“The Sacrifice of Isaac” by Caravaggio


The Sacrifice of Isaac by Michelangelo Merisi da Caravaggio (1603)
Oil on canvas. Galleria degli Uffizi, Florence

After these things God tested Abraham and said to him, “Abraham!” And he said, “Here am I.” He said, “Take your son, your only son Isaac, whom you love, and go to the land of Moriah, and offer him there as a burnt offering on one of the mountains of which I shall tell you.” So Abraham rose early in the morning, saddled his donkey, and took two of his young men with him, and his son Isaac. And he cut the wood for the burnt offering and arose and went to the place of which God had told him. On the third day Abraham lifted up his eyes and saw the place from afar. Then Abraham said to his young men, “Stay here with the donkey; I and the boy will go over there and worship and come again to you.”

And Abraham took the wood of the burnt offering and laid it on Isaac his son. And he took in his hand the fire and the knife. So they went both of them together. And Isaac said to his father Abraham, “My father!” And he said, “Here am I, my son.” He said, “Behold, the fire and the wood, but where is the lamb for a burnt offering?” Abraham said, “God will provide for himself the lamb for a burnt offering, my son.” So they went both of them together.

When they came to the place of which God had told him, Abraham built the altar there and laid the wood in order and bound Isaac his son and laid him on the altar, on top of the wood. Then Abraham reached out his hand and took the knife to slaughter his son. But the angel of the Lord called to him from heaven and said, “Abraham, Abraham!” And he said, “Here am I.”

He said, “Do not lay your hand on the boy or do anything to him, for now I know that you fear God, seeing you have not withheld your son, your only son, from me.” And Abraham lifted up his eyes and looked, and behold, behind him was a ram, caught in a thicket by his horns. And Abraham went and took the ram and offered it up as a burnt offering instead of his son. So Abraham called the name of that place, “The Lord will provide”; as it is said to this day, “On the mount of the Lord it shall be provided.”

Genesis 22:1-13, ESV


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“The Miraculous Draught of Fishes” by Jacopo Bassano

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The Miraculous Draught of Fishes
By Jacopo Bassano, 1545
Oil on canvas, National Gallery of Art, Washington, D.C.

On one occasion, while the crowd was pressing in on him to hear the word of God, he was standing by the lake of Gennesaret, and he saw two boats by the lake, but the fishermen had gone out of them and were washing their nets. Getting into one of the boats, which was Simon’s, he asked him to put out a little from the land. And he sat down and taught the people from the boat.

And when he had finished speaking, he said to Simon, “Put out into the deep and let down your nets for a catch.” And Simon answered, “Master, we toiled all night and took nothing! But at your word I will let down the nets.” And when they had done this, they enclosed a large number of fish, and their nets were breaking. They signaled to their partners in the other boat to come and help them.

And they came and filled both the boats, so that they began to sink. But when Simon Peter saw it, he fell down at Jesus’ knees, saying, “Depart from me, for I am a sinful man, O Lord.” For he and all who were with him were astonished at the catch of fish that they had taken, and so also were James and John, sons of Zebedee, who were partners with Simon.

And Jesus said to Simon, “Do not be afraid; from now on you will be catching men.” And when they had brought their boats to land, they left everything and followed him.

The Gospel according to Luke, chapter 5, verses 1-11, ESV

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“Our beautiful Savior, Jesus Christ” by Philip Graham Ryken

“We are living in a fallen and broken world; yet for all its ugliness, this world was made by God and will be saved by his grace. Therefore, we should devote our skill to making art for the glory of God, and for the sake of his Son– our beautiful Savior, Jesus Christ.”

–Philip Graham Ryken, Art For God’s Sake (Phillipsburg, NJ: P&R Publishing, 2006), 58.

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“Artistry easily becomes idolatry” by Philip Graham Ryken

“Artistry easily becomes idolatry, and when this happens, art is seen to exist only for its own sake and not for any higher purpose… It is said that when Henri Matisse completed his masterly paintings in the Chapel of the Rosary at Venice, he stepped back and proclaimed, ‘I did it for myself.’ One of the Catholic sisters overheard him and immediately objected: ‘But you told me you were doing it for God.’ ‘Yes,’ Matisse replied, ‘but I am God.'”

–Philip Graham Ryken, Art For God’s Sake (Phillipsburg, NJ: P&R Publishing, 2006), 48.

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“Art is an incarnation of the truth” by Philip Graham Ryken

“Art is an incarnation of the truth. It penetrates the surface of things to portray them as they really are.”

–Philip Graham Ryken, Art For God’s Sake (Phillipsburg, NJ: P&R Publishing, 2006), 39.

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