“Calvin in his commentaries” by Marilynne Robinson

“I have a collection of Calvin’s writings, nowhere near complete but daunting all the same, dozens of volumes of disciplined and elegant explication from the hand of a man whose health was never good, who shouldered for decades the practical and diplomatic problems of Geneva, a city under siege, and whose writings inspired and also endangered the individuals and populations across Europe who read them, whether or not they were persuaded by them. To say these things are humbling would be to understate the matter wildly.

I do happen to know what goes into the writing of a book– granted, not a book that requires a mastery of ancient languages, or that addresses the endless difficulties of translation– nor one that sets out to make literary use of a disparaged language or that attempts to render or to interpret a sacred text. I have no idea what it would be like to write in prison or in hiding or in a city full of refugees. I have no idea what it would be like to live with the threat of death while trying to write something good enough to justify the mortal peril others accepted in simply reading it.

I have just enough relevant experience to inform my awe. I find these achievements unimaginable. When I see Calvin in his commentaries pausing once again over the nuances and ambiguities of a Hebrew word as if his time and his patience and his strength were all inexhaustible, I am touched by how respectful he is, phrase by phrase and verse and by verse, of the text of Scripture, and therefore how respectful he is of any pastor and of all those to whom that pastor will preach.”

–Marilynne Robinson, “Reformation,” in The Givenness of Things (New York: Farrar, Straus, Giroux, 2015), 25-26.

“The epic of the universe” by Marilynne Robinson

“I have been thinking about existence lately. In fact, I have been so full of admiration for existence that I have hardly been able to enjoy it properly. As I was walking up to the church this morning, I passed that row of big oaks by the war memorial—if you remember them—and I thought of another morning, fall a year or two ago, when they were dropping their acorns thick as hail almost.

There was all sorts of thrashing in the leaves and there were acorns hitting the pavement so hard they’d fly past my head. All this in the dark, of course. I remember a slice of moon, no more than that. It was a very clear night, or morning, very still, and then there was such energy in the things transpiring among those trees, like a storm, like travail.

I stood there a little out of range, and I thought, It is all still new to me. I have lived my life on the prairie and a line of oak trees can still astonish me.

I feel sometimes as if I were a child who opens its eyes on the world once and sees amazing things it will never know any names for and then has to close its eyes again. I know this is all mere apparition compared to what awaits us, but it is only lovelier for that. There is a human beauty in it.

And I can’t believe that, when we have all been changed and put on incorruptibility, we will forget our fantastic condition of mortality and impermanence, the great bright dream of procreating and perishing that meant the whole world to us.

In eternity this world will be Troy, I believe, and all that has passed here will be the epic of the universe, the ballad they sing in the streets. Because I don’t imagine any reality putting this one in the shade entirely, and I think piety forbids me to try.”

–Marilynne Robinson, Gilead: A Novel (New York: Farrar, Straus and Giroux, 2004), 56-57.

“Like a birth or a resurrection” by Marilynne Robinson

“You and Tobias are hopping around in the sprinkler. The sprinkler is a magnificent invention because it exposes raindrops to sunshine. That does occur in nature, but it is rare. When I was in seminary I used to go sometimes to watch the Baptists down at the river.

It was something to see the preacher lifting the one who was being baptized up out of the water and the water pouring off the garments and the hair. It did look like a birth or a resurrection.

For us the water just heightens the touch of the pastor’s hand on the sweet bones of the head, sort of like making an electrical connection. I’ve always loved to baptize people, though I have sometimes wished there were more shimmer and splash involved in the way we go about it.

Well, but you two are dancing around in your iridescent little downpour, whooping and stomping as sane people ought to do when they encounter a thing so miraculous as water.”

–Marilynne Robinson, Gilead: A Novel (New York: Farrar, Straus and Giroux, 2004), 27-28.

“He will wipe the tears from all faces” by Marilynne Robinson

“There are two occasions when the sacred beauty of Creation becomes dazzlingly apparent, and they occur together. One is when we feel our mortal insufficiency to the world, and the other is when we feel the world’s mortal insufficiency to us. Augustine says the Lord loves each of us as an only child, and that has to be true. ‘He will wipe the tears from all faces.’ It takes nothing from the loveliness of the verse to say that is exactly what will be required.”

–Marilynne Robinson, Gilead: A Novel (New York: Farrar, Straus and Giroux, 2004), 245-246.

“I get much more respect than I deserve” by Marilynne Robinson

“I get much more respect than I deserve. This seems harmless enough in most cases. People want to respect the pastor and I’m not going to interfere with that. But I’ve developed a great reputation for wisdom by ordering more books than I ever had time to read, and reading more books, by far, than I learned anything useful from, except of course, that some very tedious gentlemen have written books.

This is not a new insight, but the truth of it is something you have to experience to fully grasp… Often enough when someone saw the light burning in my study long into the night, it only meant I had fallen asleep in my chair. My reputation is largely the creature of the kindly imaginings of my flock, whom I chose not to disillusion.”

–Marilynne Robinson, Gilead: A Novel (New York: Farrar, Straus and Giroux, 2004), 39-40.

“This is an interesting planet” by Marilynne Robinson

“[I am reminded] of something I saw early one morning a few years ago, as I was walking up to the church. There was a young couple strolling along half a block ahead of me. The sun had come up brilliantly after a heavy rain, and the trees were glistening and very wet.

On some impulse, plain exuberance, I suppose, the fellow jumped up and caught hold of a branch, and a storm of luminous water came pouring down on the two of them, and they laughed and took off running, the girl sweeping water off her hair and her dress as if she were a little bit disgusted, but she wasn’t.

It was a beautiful thing to see, like something from a myth. I don’t know why I thought of that now, except perhaps because it is easy to believe in such moments that water was made primarily for blessing, and only secondarily for growing vegetables or doing the wash.

I wish I had paid more attention to it. My list of regrets may seem unusual, but who can know that they are, really. This is an interesting planet. It deserves all the attention you can give it.”

–Marilynne Robinson, Gilead: A Novel (New York: Farrar, Straus and Giroux, 2004), 27-8.